Monday, May 4, 2009

Minnesota Nice: a cover for Man & Winter's cruelty

As a Minnesotan form birth, watching this film was like gazing into a societal mirror that amplified your homeland's imperfections (and I'm not talking about the over exaggerated accents). It seems like the more polite a culture tries to be, the harder it is to cope with your frustrations. In the fictional case of Fargo, Jerry Lundegaard falls victim to the traps of his own courtesy and foolishness. Trying to wear a mask of positivity while following through an elaborate scheme doesn't seem to work for him. Whether it's dealing with his job, father-in-law, or fake kidnappers, he never has the guts to stand up for himself.
The time of year doesn't help either. Winter often makes people feel trapped by the bone-chilling bitterness of the arctic air. There's no relief of life's stresses by going outside and getting a breath of fresh air. It just leaves you cold and miserable.
From all the crime that ensues from the chain of rage that rampages through the film, the hero, Marge Gunderson seems to stay unfazed by the murders until the very end when she captures Gaear Grimsrud and has a one way conversation in the police cruiser. Right before he's intercepted by reinforcements she say's "I just don't understand it." This profound final thought addresses not only the murders, but every other injustice that happens in life. In the end Marge still has Norm and we can feel in comfort in the fact that there is always a silver lining, even in the bleakest winter wastelands.

Wednesday, February 11, 2009

Sleepy Hollow: Echo of a Nightmare



Watch the opening credits scene bellow. While watching pay attention to the introduction to the setting and the shot when Tim Burton's name appears.
Is there something eerily familiar about this sequence or is just me. After seeing the last shot it all came together, it's all reminiscent of The Nightmare Before Christmas. Some of the evidence are obvious while others are much more  discrete. 
First is the setting. Dismal weather, dead plant life, and lack of color all point to a very Halloween-ish locale. Next is the music. It's no coincidence that Danny Elfman was the composer for both movies. Then again, Elfman composes music for every film Burton directs and/or produces. The last clue is a little subtle. When Tim Burton's name appears on screen we have an establishing that includes a scarecrow with a jack-o-lantern on it. Of course this refers to Jack Skellington before he had his "makeover" on All Hallows Eve.
Sleepy Hollow itself has reference to Halloween or Christmas but there's no denying the evidence.